{"id":1097,"date":"2019-10-08T14:44:30","date_gmt":"2019-10-08T12:44:30","guid":{"rendered":"http:\/\/contraluz.fr\/?p=1097"},"modified":"2019-10-14T18:07:39","modified_gmt":"2019-10-14T16:07:39","slug":"entre-tinieblas-pedro-almodovar-1983-cinema-utopia-manutention-avignon","status":"publish","type":"post","link":"https:\/\/contraluz.fr\/?p=1097","title":{"rendered":"Entre tinieblas &#8211; Pedro Almodovar (1983)   mardi 15 oct \u00e0 20h Utopia Manutention"},"content":{"rendered":"<h2 style=\"text-align: center;\"><strong>Mardi 15 octobre 2019 \u00e0 20h<br \/>\n<\/strong><strong>Cin\u00e9ma Utopia Manutention, Avignon<\/strong><br \/>\n<strong>Entre tinieblas\u00a0(dans les t\u00e9n\u00e8bres)<\/strong><\/h2>\n<p style=\"text-align: left;\"><a href=\"http:\/\/contraluz.fr\/wp-content\/uploads\/2019\/10\/entre-tinieblas-de-almodovar.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1098 alignleft\" src=\"http:\/\/contraluz.fr\/wp-content\/uploads\/2019\/10\/entre-tinieblas-de-almodovar-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" data-id=\"1098\" srcset=\"https:\/\/contraluz.fr\/wp-content\/uploads\/2019\/10\/entre-tinieblas-de-almodovar-208x300.jpg 208w, https:\/\/contraluz.fr\/wp-content\/uploads\/2019\/10\/entre-tinieblas-de-almodovar.jpg 343w\" sizes=\"auto, (max-width: 208px) 100vw, 208px\" \/><\/a>Film espagnol de <strong>Pedro Almodovar<\/strong> (1983)\u00a0avec Carmen Maura, Marisa Paredes, Lina Canalejas, Cecilia Roth&#8230;<\/p>\n<p style=\"text-align: left;\">Pr\u00e9sent\u00e9 par <strong>Magali Dumousseau-Lesquer<\/strong>, Ma\u00eetre de Conf\u00e9rences \u00e0 l\u2019Universit\u00e9\u00a0d\u2019Avignon, sp\u00e9cialiste de la contre-culture espagnole et auteure de\u00a0La Movida, au nom du p\u00e8re, des fils et du todo vale (\u00e9ditions Le Mot et le Reste, collection Attitudes).<\/p>\n<p style=\"text-align: left;\"><strong>Yolanda Bell<\/strong>, jeune chanteuse de bol\u00e9ro, se r\u00e9fugie dans le couvent des R\u00e9demptrices humili\u00e9es apr\u00e8s\u00a0la mort de son ami Jorge par overdose d\u2019h\u00e9ro\u00efne. Elle est accueillie avec joie et la m\u00e8re sup\u00e9rieure lui\u00a0avoue son admiration pour son art. Peu \u00e0 peu s\u2019\u00e9tablissent entre la p\u00e9cheresse et son sauveur les\u00a0m\u00eames relations autodestructrices que <strong>Yolanda<\/strong> entretenait avec son ami.<\/p>\n<p style=\"text-align: left;\">Nous lan\u00e7ons ainsi notre cycle <strong>Almodovar,<\/strong> nous le poursuivrons tout au long de la saison avec divers\u00a0invit\u00e9s qui viendrons nous parler des films d\u2019Almodovar qu\u2019ils pr\u00e9f\u00e8rent.<\/p>\n<p style=\"text-align: left;\">Avec l\u2019\u00e9quipe d\u2019Utopia, nous avons s\u00e9lectionn\u00e9 (difficilement) une s\u00e9rie de films du grand r\u00e9alisateur\u00a0espagnol. Ce ne sont pas forc\u00e9ment les plus connus mais ils sont embl\u00e9matiques d\u2019une \u0153uvre riche et\u00a0\u00e9clectique.<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #ff0000;\"><strong>(Entr\u00e9e gratuite pour nos adh\u00e9rents le jour de cette rencontre)<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Mardi 15 octobre 2019 \u00e0 20h Cin\u00e9ma Utopia Manutention, Avignon Entre tinieblas\u00a0(dans les t\u00e9n\u00e8bres) Film espagnol de Pedro Almodovar (1983)\u00a0avec Carmen Maura, Marisa Paredes, Lina Canalejas, Cecilia Roth&#8230; Pr\u00e9sent\u00e9 par Magali Dumousseau-Lesquer, Ma\u00eetre de Conf\u00e9rences \u00e0 l\u2019Universit\u00e9\u00a0d\u2019Avignon, sp\u00e9cialiste de la contre-culture espagnole et auteure de\u00a0La Movida, au nom du p\u00e8re, des fils et du todo <a class=\"mh-excerpt-more\" href=\"https:\/\/contraluz.fr\/?p=1097\" title=\"Entre tinieblas &#8211; Pedro Almodovar (1983)   mardi 15 oct \u00e0 20h Utopia Manutention\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":1098,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1097","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"_links":{"self":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/1097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1097"}],"version-history":[{"count":12,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/1097\/revisions"}],"predecessor-version":[{"id":1123,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/1097\/revisions\/1123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/media\/1098"}],"wp:attachment":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}