{"id":1585,"date":"2022-02-12T12:24:20","date_gmt":"2022-02-12T11:24:20","guid":{"rendered":"http:\/\/contraluz.fr\/?p=1585"},"modified":"2022-02-12T12:25:23","modified_gmt":"2022-02-12T11:25:23","slug":"las-ninas-jeudi-24-fevrier-2022-a-20h30-utopia-avignon","status":"publish","type":"post","link":"https:\/\/contraluz.fr\/?p=1585","title":{"rendered":"Las Ni\u00f1as &#8211; Jeudi 24 f\u00e9vrier 2022 a\u0300 20h30 &#8211; Utopia Avignon"},"content":{"rendered":"<h4 style=\"text-align: center;\">Jeudi 24 f\u00e9vrier 2022 a\u0300 20h30<br \/>\nLas Ni\u00f1as<br \/>\nUn film espagnol de Pilar Palomero,\u00a0r\u00e9compens\u00e9 par 4 Goya en 2021, dont celui de meilleur film.<\/h4>\n<p><a href=\"http:\/\/contraluz.fr\/wp-content\/uploads\/2022\/02\/Las-ninas-gd.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1580 alignleft\" src=\"http:\/\/contraluz.fr\/wp-content\/uploads\/2022\/02\/Las-ninas-gd-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" data-id=\"1580\" srcset=\"https:\/\/contraluz.fr\/wp-content\/uploads\/2022\/02\/Las-ninas-gd-225x300.jpg 225w, https:\/\/contraluz.fr\/wp-content\/uploads\/2022\/02\/Las-ninas-gd-768x1024.jpg 768w, https:\/\/contraluz.fr\/wp-content\/uploads\/2022\/02\/Las-ninas-gd.jpg 1200w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a>Rencontre avec <strong>Bernard Bessi\u00e8re<\/strong>,\u00a0Professeur Em\u00e9rite \u00e0 l\u2019Universit\u00e9 d\u2019Aix Marseille,\u00a0sp\u00e9cialiste de la soci\u00e9t\u00e9 et du cin\u00e9ma espagnols.<br \/>\n<strong>Las Ni\u00f1as<\/strong>, le premier long-m\u00e9trage de <strong>Pilar Palomero<\/strong>, native de Saragosse, m\u00e9rite de figurer au tableau d&rsquo;honneur du nouveau cin\u00e9ma espagnol.<\/p>\n<p>Le film se situe en 1992, l&rsquo;ann\u00e9e o\u00f9 l&rsquo;Espagne apparait comme le parangon de la modernit\u00e9 en Europe, le franquisme aux oubliettes, la movida en exergue, les J.O de Barcelone et l&rsquo;exposition universelle de S\u00e9ville, en vedette. Pourtant, le vieux fond conservateur ib\u00e9rique survit toujours, notamment en province, dans les relations sociales et dans l&rsquo;\u00e9ducation catholique des jeunes filles. Ce sont ces derni\u00e8res que met en avant le film, \u00e0 un \u00e2ge-charni\u00e8re (12 ans), au confluent de l&rsquo;enfance et de l&rsquo;adolescence.<br \/>\nEntre l&rsquo;\u00e9cole, les amies et sa m\u00e8re veuve, la petite Celia (magnifiquement incarn\u00e9e par la d\u00e9butante Andrea Fandos) grandit entre insouciance, angoisse et questionnements, en particulier sur ses origines.<\/p>\n<p style=\"text-align: center;\">6nezfil, Le sens Critique, d\u00e9cembre 2020.<br \/>\nSuite de la critique: <a href=\"https:\/\/www.senscritique.com\/film\/Las_ninas\/critique\/236727303\" target=\"_blank\" rel=\"noopener\">https:\/\/www.senscritique.com\/film\/Las_ninas\/critique\/236727303<\/a><\/p>\n<h4 style=\"text-align: center;\"><span style=\"color: #ff0000;\">Entr\u00e9e gratuite pour nos adh\u00e9rents, le jour de cette rencontre.<\/span><\/h4>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Jeudi 24 f\u00e9vrier 2022 a\u0300 20h30 Las Ni\u00f1as Un film espagnol de Pilar Palomero,\u00a0r\u00e9compens\u00e9 par 4 Goya en 2021, dont celui de meilleur film. Rencontre avec Bernard Bessi\u00e8re,\u00a0Professeur Em\u00e9rite \u00e0 l\u2019Universit\u00e9 d\u2019Aix Marseille,\u00a0sp\u00e9cialiste de la soci\u00e9t\u00e9 et du cin\u00e9ma espagnols. Las Ni\u00f1as, le premier long-m\u00e9trage de Pilar Palomero, native de Saragosse, m\u00e9rite de figurer au <a class=\"mh-excerpt-more\" href=\"https:\/\/contraluz.fr\/?p=1585\" title=\"Las Ni\u00f1as &#8211; Jeudi 24 f\u00e9vrier 2022 a\u0300 20h30 &#8211; Utopia Avignon\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":1581,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1585","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"_links":{"self":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/1585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1585"}],"version-history":[{"count":3,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/1585\/revisions"}],"predecessor-version":[{"id":1588,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/1585\/revisions\/1588"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/media\/1581"}],"wp:attachment":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}