{"id":1609,"date":"2022-03-17T14:56:20","date_gmt":"2022-03-17T13:56:20","guid":{"rendered":"http:\/\/contraluz.fr\/?p=1609"},"modified":"2022-03-17T15:04:42","modified_gmt":"2022-03-17T14:04:42","slug":"flores-de-luna-de-juan-vicente-cordoba-utopia-mardi-5-avril-2022-a-20h30","status":"publish","type":"post","link":"https:\/\/contraluz.fr\/?p=1609","title":{"rendered":"Flores de Luna, de Juan Vicente C\u00f3rdoba &#8211; Utopia Mardi 5 avril 2022 \u00e0 20h30"},"content":{"rendered":"<h3 style=\"text-align: center;\">Projection-rencontre<br \/>\nCin\u00e9ma Utopia Manutention, Avignon<br \/>\nPremi\u00e8re en France-Projection Unique<br \/>\nRencontre avec le r\u00e9alisateur \u00e0 l\u2019issue de la projection<br \/>\nMardi 5 avril 2022 \u00e0 20h30<br \/>\nFlores de Luna<\/h3>\n<p><a href=\"http:\/\/contraluz.fr\/wp-content\/uploads\/2022\/03\/Flores-de-luna.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1610 alignleft\" src=\"http:\/\/contraluz.fr\/wp-content\/uploads\/2022\/03\/Flores-de-luna-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" data-id=\"1610\" srcset=\"https:\/\/contraluz.fr\/wp-content\/uploads\/2022\/03\/Flores-de-luna-221x300.jpg 221w, https:\/\/contraluz.fr\/wp-content\/uploads\/2022\/03\/Flores-de-luna-768x1043.jpg 768w, https:\/\/contraluz.fr\/wp-content\/uploads\/2022\/03\/Flores-de-luna-754x1024.jpg 754w, https:\/\/contraluz.fr\/wp-content\/uploads\/2022\/03\/Flores-de-luna.jpg 1000w\" sizes=\"auto, (max-width: 221px) 100vw, 221px\" \/><\/a>Un documentaire espagnol de Juan Vicente C\u00f3rdoba<br \/>\n\u00ab un des plus beaux documentaires espagnols jamais r\u00e9alis\u00e9s \u00bb\u00a0a d\u00e9clar\u00e9 Jean Paul Campillo,\u00a0enseignant \u00e0 l\u2019universit\u00e9 d\u2019Avignon, sp\u00e9cialiste de la soci\u00e9t\u00e9\u00a0et du cin\u00e9ma espagnols, qui animera le d\u00e9bat.<\/p>\n<p>En collaboration avec \u00a1Primaveral! , le Festival hispanique d\u2019Avignon.<br \/>\nJuan Vicente C\u00f3rdoba est un cin\u00e9aste des quartiers, plus exactement du quartier dont il est issu : El Pozo del t\u00edo Raimundo, \u00e0 Vallecas, dans la\u00a0p\u00e9riph\u00e9rie de Madrid. L&rsquo;essentiel de son \u0153uvre s&rsquo;y d\u00e9roule. \u00ab Je suis un gar\u00e7on du quartier &#8211; raconte C\u00f3rdoba &#8211; (\u2026). Dans les ann\u00e9es 70, dire\u00a0que tu vivais \u00e0 Vallecas \u00e9tait m\u00eame dangereux, on te traitait directement de criminel et les taxis ne te ramenaient m\u00eame pas chez toi \u00bb (\u2026).<br \/>\nPour retracer l\u2019histoire de son quartier, le documentariste se positionne comme passeur. Il fait le lien entre diff\u00e9rentes \u00e9poques et diff\u00e9rentes mani\u00e8res d&rsquo;habiter le monde. Il articule les doutes d&rsquo;une nouvelle g\u00e9n\u00e9ration qui a du mal \u00e0 se projeter dans l&rsquo;avenir et les exp\u00e9riences des anciens qui pein\u00e8rent, trente-cinq ans plus t\u00f4t, \u00e0 obtenir un logement d\u00e9cent. Sans nier la dure r\u00e9alit\u00e9 des quartiers qui se d\u00e9battent entre la drogue, le ch\u00f4mage et le manque de politiques sociales, Juan Vicente C\u00f3rdoba modifie en profondeur notre perception d\u2019un\u00a0espace d\u2019ordinaire cantonn\u00e9 \u00e0 un imaginaire de la souffrance. A travers le rappel du mouvement vicinal, si actif durant les ann\u00e9es 70, il redonne \u00e0 voir le quartier comme un espace de luttes et de victoires, susceptible de provoquer un sentiment d\u2019identification. Entre t\u00e9moignage\u00a0et \u00e9motion, Juan Vicente C\u00f3rdoba restitue \u00e0 chacun sa dignit\u00e9.<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #ff0000;\"><strong>Entr\u00e9e gratuite pour nos adh\u00e9rents, le jour de cette rencontre.<\/strong><\/span><\/p>\n<h5 style=\"text-align: center;\"><span style=\"color: #993366;\"><em><strong>\u00a1PRIMAVERAL! , le Festival hispanique d\u2019Avignon (ou Le culot de la jeunesse)<\/strong><\/em><\/span><br \/>\n<span style=\"color: #993366;\"><em><strong>Contraluz en a r\u00eav\u00e9, R\u00e9my Roche l\u2019a fait!<br \/>\nDepuis des ann\u00e9e, nous r\u00eavions d\u2019une manifestation f\u00e9d\u00e9ratrice qui concentrerait la richesse et la diversit\u00e9 de l\u2019Hispanit\u00e9.<br \/>\nC\u2019est de l\u2019Universit\u00e9 (\u00f4 miracle), qu\u2019est venue l\u2019id\u00e9e et sa r\u00e9alisation.<br \/>\nR\u00e9my Roche, \u00e9tudiant en\u00a0<\/strong><\/em><\/span><span style=\"color: #993366;\"><em><strong>Master d\u2019Etudes Hispaniques \u00e0 Avignon, est parvenu \u00e0 r\u00e9unir une bande d&rsquo;\u00e9nergum\u00e8nes passionn\u00e9s et le r\u00e9sultat est un programme\u00a0<\/strong><\/em><\/span><span style=\"color: #993366;\"><em><strong>riche, vari\u00e9, inspir\u00e9, enthousiasmant.<br \/>\nContraluz, quoiqu\u2019un peu jalouse, se devait d\u2019accompagner une manifestation \u00e0 laquelle nous\u00a0<\/strong><\/em><\/span><span style=\"color: #993366;\"><em><strong>souhaitons longue vie. \u00a1PRIMAVERAL! LE SITE<\/strong><\/em><\/span><\/h5>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Projection-rencontre Cin\u00e9ma Utopia Manutention, Avignon Premi\u00e8re en France-Projection Unique Rencontre avec le r\u00e9alisateur \u00e0 l\u2019issue de la projection Mardi 5 avril 2022 \u00e0 20h30 Flores de Luna Un documentaire espagnol de Juan Vicente C\u00f3rdoba \u00ab un des plus beaux documentaires espagnols jamais r\u00e9alis\u00e9s \u00bb\u00a0a d\u00e9clar\u00e9 Jean Paul Campillo,\u00a0enseignant \u00e0 l\u2019universit\u00e9 d\u2019Avignon, sp\u00e9cialiste de la soci\u00e9t\u00e9\u00a0et <a class=\"mh-excerpt-more\" href=\"https:\/\/contraluz.fr\/?p=1609\" title=\"Flores de Luna, de Juan Vicente C\u00f3rdoba &#8211; Utopia Mardi 5 avril 2022 \u00e0 20h30\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":1612,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"_links":{"self":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/1609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1609"}],"version-history":[{"count":6,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/1609\/revisions"}],"predecessor-version":[{"id":1619,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/1609\/revisions\/1619"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/media\/1612"}],"wp:attachment":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}