La s\u00e9ance du\u00a0vendredi 7 novembre \u00e0 18h<\/b>, organis\u00e9e en collaboration avec l\u2019Universit\u00e9 d\u2019Avignon<\/b>\u00a0et\u00a0Contraluz<\/b>, sera suivie d\u2019une rencontre avec\u00a0Olivier Guez<\/b>, auteur du roman et cosc\u00e9nariste du film et\u00a0Jean-Paul Campillo<\/b>, enseignant au d\u00e9partement d\u2019\u00e9tudes hispaniques. Vente des places \u00e0 partir du 30 octobre.<\/p>\n
(DAS VERSCHWINDEN DES\u00a0JOSEF\u00a0MENGELE)\u00a0\u00c9crit et r\u00e9alis\u00e9 par Kirill\u00a0SEREBRENNIKOV<\/strong>\u00a0– Allemagne 2025 2h16\u00a0VOSTF<\/strong>\u00a0– avec August Diehl, Max Brettschneider, David Ruland, Frederike Becht, Burghart Klaussner…\u00a0D\u2019apr\u00e8s le roman d\u2019Olivier Guez<\/strong>.<\/p>\n Au lendemain de la Seconde Guerre mondiale, Josef Mengele, le m\u00e9decin nazi du camp d\u2019Auschwitz, parvient \u00e0 s\u2019enfuir en Am\u00e9rique du Sud pour refaire sa vie dans la clandestinit\u00e9. De Buenos Aires au Paraguay, en passant par le Br\u00e9sil, celui qu\u2019on a baptis\u00e9 \u00ab\u00a0L\u2019Ange de la mort\u00a0\u00bb va organiser sa m\u00e9thodique disparition pour \u00e9chapper \u00e0 toute forme de proc\u00e8s\u2026<\/p>\n Plus d’informations sur LE SITE D’UTOPIA<\/a><\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" La s\u00e9ance du\u00a0vendredi 7 novembre \u00e0 18h, organis\u00e9e en collaboration avec l\u2019Universit\u00e9 d\u2019Avignon\u00a0et\u00a0Contraluz, sera suivie d\u2019une rencontre avec\u00a0Olivier Guez, auteur du roman et cosc\u00e9nariste du film et\u00a0Jean-Paul Campillo, enseignant au d\u00e9partement d\u2019\u00e9tudes hispaniques. Vente des places \u00e0 partir du 30 octobre. (DAS VERSCHWINDEN DES\u00a0JOSEF\u00a0MENGELE)\u00a0\u00c9crit et r\u00e9alis\u00e9 par Kirill\u00a0SEREBRENNIKOV\u00a0– Allemagne 2025 2h16\u00a0VOSTF\u00a0– avec August Diehl, Max […]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":2653,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-2652","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"_links":{"self":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/2652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2652"}],"version-history":[{"count":1,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/2652\/revisions"}],"predecessor-version":[{"id":2654,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/2652\/revisions\/2654"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/media\/2653"}],"wp:attachment":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}