Film hispano-mexicano-cubain r\u00e9alis\u00e9 par Tom\u00e1s Guti\u00e9rrez Alea<\/strong> et Juan Carlos Tab\u00edo<\/strong> (1993).<\/p>\n Pr\u00e9sent\u00e9 par Magali Kabous<\/strong>,\u00a0<\/em>ma\u00eetre de conf\u00e9rences \u00e0 l’universit\u00e9 Lumi\u00e8re Lyon 2. Ses recherches portent sur le cin\u00e9ma latino-am\u00e9ricain, et en particulier sur les productions institutionnelles et ind\u00e9pendantes cubaines.<\/p>\n David, un jeune \u00e9tudiant cubain, ne doute pas de la validit\u00e9 des id\u00e9aux castristes. L’amour lui semble plus contestable. Vivian, la femme qu’il courtisait, ne vient-elle pas d’\u00e9pouser un autre homme ? D\u00e9sappoint\u00e9, David erre dans La Havane et finit par rencontrer Diego. Il pr\u00e9f\u00e8re la glace au chocolat, Diego choisit la fraise. Mais qu’importent les diff\u00e9rences, pourvu qu’on ait le souci de se comprendre ! Diego emm\u00e8ne David chez lui et l’introduit dans son univers d’artiste homosexuel. D’abord choqu\u00e9, David retourne pourtant chez Diego, avec l’intention d’espionner ce dangereux d\u00e9linquant contre-r\u00e9volutionnaire…<\/p>\n Apr\u00e8s cette premi\u00e8re rencontre, nous reviendrons cette saison sur l\u2019oeuvre de Tom\u00e1s Guti\u00e9rrez Alea; occasion de faire le point sur l\u2019\u00e9volution du cin\u00e9ma et de la soci\u00e9t\u00e9 cubains.<\/em><\/strong><\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Rencontre-Projection Vendredi 14 septembre 2018 \u00e0 20h15 Cin\u00e9ma Utopia Manutention, Avignon Fresa y Chocolate Film hispano-mexicano-cubain r\u00e9alis\u00e9 par Tom\u00e1s Guti\u00e9rrez Alea et Juan Carlos Tab\u00edo (1993). Pr\u00e9sent\u00e9 par Magali Kabous,\u00a0ma\u00eetre de conf\u00e9rences \u00e0 l’universit\u00e9 Lumi\u00e8re Lyon 2. Ses recherches portent sur le cin\u00e9ma latino-am\u00e9ricain, et en particulier sur les productions institutionnelles et ind\u00e9pendantes cubaines. David, […]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":653,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-652","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"_links":{"self":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=652"}],"version-history":[{"count":2,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/652\/revisions"}],"predecessor-version":[{"id":655,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/652\/revisions\/655"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/media\/653"}],"wp:attachment":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}