{"id":761,"date":"2018-12-02T17:06:28","date_gmt":"2018-12-02T16:06:28","guid":{"rendered":"http:\/\/contraluz.fr\/?p=761"},"modified":"2018-12-02T17:07:18","modified_gmt":"2018-12-02T16:07:18","slug":"rencontres-projections-mardi-04-decembre-2018-a-18h15-cinema-utopia-manutention","status":"publish","type":"post","link":"https:\/\/contraluz.fr\/?p=761","title":{"rendered":"Rencontres-Projections – Mardi 04 d\u00e9cembre 2018 \u00e0 18h15 Cin\u00e9ma Utopia Manutention"},"content":{"rendered":"

Rencontres-Projections Cin\u00e9ma Utopia, Maison de la Po\u00e9sie<\/h2>\n

Mardi 04 d\u00e9cembre 2018 \u00e0 18h15<\/strong> Cin\u00e9ma Utopia Manutention<\/p>\n

Trois contes de Borges<\/h1>\n

\"\"<\/a>film r\u00e9alis\u00e9 par Maxime Martinot<\/strong><\/p>\n

En pr\u00e9sence du r\u00e9alisateur<\/p>\n

Les Trois contes de Borges<\/strong> adaptent, dans leur langue originale, trois textes du c\u00e9l\u00e8bre \u00e9crivain argentin Jorge Luis Borges : El otro, El disco et El libro de arena<\/strong>.
\nTrois r\u00e9cits fantastiques o\u00f9 se monnaient les objets de l\u2019\u00e9ternit\u00e9 qui, \u00e0 port\u00e9e de main, mettent en p\u00e9ril nos rapports au temps, \u00e0 l\u2019image, au langage.<\/p>\n

 <\/p>\n

Un floril\u00e8ge de critiques: http:\/\/www.allocine.fr\/film\/fichefilm-235817\/critiques\/presse\/<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Rencontres-Projections Cin\u00e9ma Utopia, Maison de la Po\u00e9sie Mardi 04 d\u00e9cembre 2018 \u00e0 18h15 Cin\u00e9ma Utopia Manutention Trois contes de Borges film r\u00e9alis\u00e9 par Maxime Martinot En pr\u00e9sence du r\u00e9alisateur Les Trois contes de Borges adaptent, dans leur langue originale, trois textes du c\u00e9l\u00e8bre \u00e9crivain argentin Jorge Luis Borges : El otro, El disco et El […]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":762,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-761","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"_links":{"self":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=761"}],"version-history":[{"count":3,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/761\/revisions"}],"predecessor-version":[{"id":768,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/761\/revisions\/768"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/media\/762"}],"wp:attachment":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}