{"id":787,"date":"2018-12-04T17:57:21","date_gmt":"2018-12-04T16:57:21","guid":{"rendered":"http:\/\/contraluz.fr\/?p=787"},"modified":"2018-12-02T18:05:04","modified_gmt":"2018-12-02T17:05:04","slug":"el-lado-oscuro-del-corazon-jeudi-13-decembre-2018-a-20h15-cinema-utopia-manutention","status":"publish","type":"post","link":"https:\/\/contraluz.fr\/?p=787","title":{"rendered":"El lado oscuro\u00a0del coraz\u00f3n &#8211; Jeudi 13 d\u00e9cembre 2018 \u00e0 20h15,\u00a0Cin\u00e9ma Utopia Manutention"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Jeudi 13 d\u00e9cembre 2018 \u00e0 20h15,\u00a0Cin\u00e9ma Utopia Manutention<\/strong><\/p>\n<h2 style=\"text-align: center;\">El lado oscuro\u00a0del coraz\u00f3n<br \/>\nFilm argentin D\u2019Eliseo Subiela (1992).<\/h2>\n<p>Pr\u00e9sent\u00e9 par <strong>Martin Lombardo<\/strong> \u00e9crivain argentin et Ma\u00eetre de Conf\u00e9rences \u00e0 l&rsquo;Universit\u00e9 Savoie Mont Blanc<\/p>\n<p>A Buenos Aires, un jeune po\u00e8te du nom de Oliverio m\u00e8ne une vie de boh\u00eame qui le contraint parfois \u00e0 vendre ses id\u00e9es \u00e0 une\u00a0agence de publicit\u00e9.<\/p>\n<p>Le reste du temps, il \u00e9change des po\u00e8mes amoureux contre des steaks aupr\u00e8s du patron d&rsquo;un resto\u00a0populaire, ou bien demande l&rsquo;aum\u00f4ne pour quelques stances d\u00e9clam\u00e9es \u00e0 des automobilistes. Ce personnage repr\u00e9sente une\u00a0\u00e9tape de la vie du r\u00e9alisateur \u00e0 l&rsquo;heure o\u00f9 lui aussi \u00e9tait en qu\u00eate de la partenaire id\u00e9ale.<\/p>\n<p>Les femmes, Oliveiro les aime toutes\u00a0et aime tout d&rsquo;elles. Mais il lui est impossible d&rsquo;excuser une incapacit\u00e9, \u00e0 ses yeux fondamentale chez une femme, celle de ne\u00a0pouvoir voler &#8230; s&rsquo;envoler avec lui.<\/p>\n<p>Cette recherche le conduit \u00e0 traverser le Rio de La Plata. Dans un bar, il rencontre Ana dont\u00a0il finit par s&rsquo;\u00e9prendre. Elle seule sera capable de lui faire d\u00e9couvrir le c\u00f4t\u00e9 obscur de son c\u0153ur.<\/p>\n<p>Amour, \u00e9rotisme, imagination, po\u00e9sie: ils repr\u00e9sentent la fureur de vivre, pour \u00e9chapper \u00e0 la mort et au n\u00e9ant. C&rsquo;est pourquoi,\u00a0\u00abLe c\u00f4t\u00e9 obscur du coeur\u00bb constitue, comme l&rsquo;a \u00e9crit le &lsquo;Frankfurter Rundschau&rsquo;, \u00abl&rsquo;un des rares films qui admette les\u00a0sentiments sans les remettre en question avec scepticisme\u00bb.<\/p>\n<p>Un film d&rsquo;amour moderne, donc, qui d\u00e9fend sa position avec opini\u00e2tret\u00e9.<\/p>\n<p><a href=\"http:\/\/contraluz.fr\/wp-content\/uploads\/2018\/12\/Lado-oscuro.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-763 aligncenter\" src=\"http:\/\/contraluz.fr\/wp-content\/uploads\/2018\/12\/Lado-oscuro-300x300.jpg\" alt=\"\" width=\"573\" height=\"573\" data-id=\"763\" srcset=\"https:\/\/contraluz.fr\/wp-content\/uploads\/2018\/12\/Lado-oscuro-300x300.jpg 300w, https:\/\/contraluz.fr\/wp-content\/uploads\/2018\/12\/Lado-oscuro-150x150.jpg 150w, https:\/\/contraluz.fr\/wp-content\/uploads\/2018\/12\/Lado-oscuro.jpg 500w\" sizes=\"auto, (max-width: 573px) 100vw, 573px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Jeudi 13 d\u00e9cembre 2018 \u00e0 20h15,\u00a0Cin\u00e9ma Utopia Manutention El lado oscuro\u00a0del coraz\u00f3n Film argentin D\u2019Eliseo Subiela (1992). Pr\u00e9sent\u00e9 par Martin Lombardo \u00e9crivain argentin et Ma\u00eetre de Conf\u00e9rences \u00e0 l&rsquo;Universit\u00e9 Savoie Mont Blanc A Buenos Aires, un jeune po\u00e8te du nom de Oliverio m\u00e8ne une vie de boh\u00eame qui le contraint parfois \u00e0 vendre ses id\u00e9es <a class=\"mh-excerpt-more\" href=\"https:\/\/contraluz.fr\/?p=787\" title=\"El lado oscuro\u00a0del coraz\u00f3n &#8211; Jeudi 13 d\u00e9cembre 2018 \u00e0 20h15,\u00a0Cin\u00e9ma Utopia Manutention\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":764,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-787","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"_links":{"self":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/787","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=787"}],"version-history":[{"count":5,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/787\/revisions"}],"predecessor-version":[{"id":792,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/787\/revisions\/792"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/media\/764"}],"wp:attachment":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=787"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=787"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}