{"id":954,"date":"2019-04-01T13:02:09","date_gmt":"2019-04-01T11:02:09","guid":{"rendered":"http:\/\/contraluz.fr\/?p=954"},"modified":"2019-04-01T13:05:08","modified_gmt":"2019-04-01T11:05:08","slug":"el-reino-lundi-29-avril-a-20h15-cinema-utopia-manutention-avignon","status":"publish","type":"post","link":"https:\/\/contraluz.fr\/?p=954","title":{"rendered":"EL REINO &#8211; lundi 29 avril \u00e0 20h15, Cin\u00e9ma Utopia Manutention Avignon"},"content":{"rendered":"<h4 style=\"text-align: center;\">EL REINO<br \/>\nlundi 29 avril \u00e0 20h15<br \/>\nCin\u00e9ma Utopia Manutention, Avignon<br \/>\nun film espagnol de Rodrigo Sorogoyen<\/h4>\n<p><a href=\"http:\/\/contraluz.fr\/wp-content\/uploads\/2019\/04\/El_Reino.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-955 size-medium alignleft\" src=\"http:\/\/contraluz.fr\/wp-content\/uploads\/2019\/04\/El_Reino-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" data-id=\"955\" srcset=\"https:\/\/contraluz.fr\/wp-content\/uploads\/2019\/04\/El_Reino-209x300.jpg 209w, https:\/\/contraluz.fr\/wp-content\/uploads\/2019\/04\/El_Reino-768x1105.jpg 768w, https:\/\/contraluz.fr\/wp-content\/uploads\/2019\/04\/El_Reino-712x1024.jpg 712w, https:\/\/contraluz.fr\/wp-content\/uploads\/2019\/04\/El_Reino.jpg 1200w\" sizes=\"auto, (max-width: 209px) 100vw, 209px\" \/><\/a>Pr\u00e9sent\u00e9 par Bernard Bessi\u00e8re,\u00a0Professeur \u00e9m\u00e9rite de l\u2019Universit\u00e9 d\u2019Aix en Provence\u00a0et Jean-Paul Campillo,\u00a0enseignant \u00e0 l\u2019Universit\u00e9 d\u2019Avignon,\u00a0sp\u00e9cialistes de la soci\u00e9t\u00e9 espagnole contemporaine\u00a0et de son cin\u00e9ma.<\/p>\n<p>\u00ab La corruption politique en Espagne \u2013 et surtout, la totale impuni\u00a0t\u00e9 de ses leaders depuis une dizaine d\u2019ann\u00e9e \u2013 nous a laiss\u00e9s, ma\u00a0cosc\u00e9nariste Isabel Pe\u00f1a et moi, d\u2019abord perplexes, indign\u00e9s puis d\u00e9prim\u00e9s, et enfin presque anesth\u00e9si\u00e9s.<\/p>\n<p>C\u2019est la r\u00e9p\u00e9tition des affaires de corruption de ces derni\u00e8res ann\u00e9es qui nous a d\u00e9cid\u00e9s \u00e0 raconter cette\u00a0histoire. Comme dans QUE DIOS NOS PERDONE, nous voulions faire un thriller, un film \u00e0 suspense qui accroche le spectateur mais qui parle aussi des \u00eatres humains et de leur noirceur.<\/p>\n<p>Dans QUE DIOS NOS PERDONE, la violence \u00e9tait le sujet central, ici c\u2019est la corruption \u2013 pas seulement politique mais aussi humaine. C\u2019est le mensonge comme mani\u00e8re de vivre.<\/p>\n<p>Aucun film n\u2019avait encore \u00e9t\u00e9 fait sur la corruption espagnole d\u2019aujourd\u2019hui, et nous savions d\u00e8s le d\u00e9but que le film serait racont\u00e9 du point de vue du politicien\u00a0corrompu, du voyou, celui qui, dans un film classique, serait le rival, l\u2019ennemi. \u00bb<br \/>\nRodrigo Sorogoyen<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #ff0000;\">Entr\u00e9e gratuite pour les adh\u00e9rents de l\u2019association , le jour de la rencontre.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>EL REINO lundi 29 avril \u00e0 20h15 Cin\u00e9ma Utopia Manutention, Avignon un film espagnol de Rodrigo Sorogoyen Pr\u00e9sent\u00e9 par Bernard Bessi\u00e8re,\u00a0Professeur \u00e9m\u00e9rite de l\u2019Universit\u00e9 d\u2019Aix en Provence\u00a0et Jean-Paul Campillo,\u00a0enseignant \u00e0 l\u2019Universit\u00e9 d\u2019Avignon,\u00a0sp\u00e9cialistes de la soci\u00e9t\u00e9 espagnole contemporaine\u00a0et de son cin\u00e9ma. \u00ab La corruption politique en Espagne \u2013 et surtout, la totale impuni\u00a0t\u00e9 de ses leaders <a class=\"mh-excerpt-more\" href=\"https:\/\/contraluz.fr\/?p=954\" title=\"EL REINO &#8211; lundi 29 avril \u00e0 20h15, Cin\u00e9ma Utopia Manutention Avignon\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":960,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-954","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"_links":{"self":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=954"}],"version-history":[{"count":2,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/954\/revisions"}],"predecessor-version":[{"id":959,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/posts\/954\/revisions\/959"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=\/wp\/v2\/media\/960"}],"wp:attachment":[{"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=954"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=954"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/contraluz.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}